Well Bottom Blues

Oh my God it's full of stars!


The sound of an oud

“I resolve to see anew, to take sight into my hand

to spill the blood of the sacred wounds of witness…”

“Fill your pen with love or don’t bother picking it up.”

From Piedra by Luis Alberto Urrea

It is difficult to bear witness to this world without anger. There are worlds of oppression that produce sainted Ginsburg holding a flower and those that produce The Clash firing a guitar at the world. Somewhere in this gap I must help birth a world where the spear and the skald both stand in righteousness against the ungodly giants.

I want to stop reading the news and instead listen to the Palestinian children singing in a tent on Instagram, but we’ve stitched the world together with the internet in a way where one follows upon the other and the lines are never silent. To turn it off is to look away from those children and what is happening around them, and I cannot, I will not look away like Pius XII, Eisenhower and Roosevelt.

If I can’t look away then I must make time to write poems of bloody anger and poems about children gathered about an oud singing in the bright, day-lit white tent which shelters them for an instant from the horror.



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About Me

Mark Folse is a provincial diarist and aspiring minor poet from New Orleans. His past blogging adventures included the Katina/Federal Flood blog wetbankguide on blogspot.com which David Simon told NY Magazine was one of three blogs that helped inform Treme, and Toulouse Street–Odd Bits of Life in New Orleans, which once outranked the Doobie Brothers on Google Search. His work has appeared in The Dead Mule School of Southern Literature, The New Delta Review, Metazen, New Laurel Review, Ellipsis,  What We Know: New Orleans as Home, Please Forward, The Maple Leaf Rag IV, and A Howling in the Wires (which he co-edited).

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