Garcia Lorca
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Theory and Play of the Duende
“Tender cries to God….Not form, but the marrow of form…All the arts are capable of duende but where it naturally creates most space is in music, dance and spoken poetry, the living flesh is needed to interpret them…the duende wounds..the magic power of a poem consists of it being filled with Duende.” — Frederico Gardía Continue reading
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Bury me in that warm country
There is a primordial order, transcendent / of languages, the form for casting poetry. Continue reading
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You have the blood of a poet
“You have the blood of a poet. You have that and always will. You show, in middle of savage things (that I like), the gentleness of your heart, that is so full of pain and light.” Federico García Lorca, from a letter to Miguel Hernández wr. c. April 1933 Continue reading
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A thousand tambourines of crystal
“If you ask me why I wrote ‘A thousand tambourines of crystal, wounded the light of daybreak’ I will tell you that I saw them in the hands of trees and angels, but I cannot say more: I cannot explain their meaning. And that is how it should be. Through poetry a man more quickly Continue reading
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There is a bitter root
Somewhere in this house is (should be) a hardback first edition (foxed) City Lights pocketbook of the selected poems of Federico Garcia Lorca. I carried it to Spain and laid it on his desk in his home in town. My tour had to wait for the private visit of a famous bullfighter. And I had Continue reading
About Me
Mark Folse is a provincial diarist and aspiring minor poet from New Orleans. His past blogging adventures included the Katina/Federal Flood blog wetbankguide on blogspot.com which David Simon told NY Magazine was one of three blogs that helped inform Treme, and Toulouse Street–Odd Bits of Life in New Orleans, which once outranked the Doobie Brothers on Google Search. His work has appeared in The Dead Mule School of Southern Literature, The New Delta Review, Metazen, New Laurel Review, Ellipsis, What We Know: New Orleans as Home, Please Forward, The Maple Leaf Rag IV, and A Howling in the Wires (which he co-edited).
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Well Bottom Blues 