poetry of witness
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Morning is Broken
is the No. 1 hymn in this hellwhere the news scrolls bylike sandpaper on the soul.Wars and rumors of warearthquakes, snakes andprivate aeroplanes.You should be afraidof the one-sided (so far)civil war against dissent.The only way out is througha cordon of soulless thugsbent on ending the non-compliant, to paint a newAmerican Dream in bloodfor the White… Continue reading
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They Themselves Have No Papers
They do not come in the nightlike the frights of childhood.In broad daylight, in masks in unmarked trucks and SUVs;without insignia, without badgeswithout the necessary legal papers–they themselves have no papers–to seize people off the streetfor being brown while employed,for speaking Spanish in public.It’s as if they launched a pogromagainst the European honey beefor daring… Continue reading
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Another Police Riot
This poem was published in Unlikely Stories Version Six, and is this sort of writing I spoke about in the last post. Another Police Riot“The children are always ours, every single one of them, all over the globe; and I am beginning to suspect that whoever is incapable of recognizing this may be incapable of… Continue reading
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That Bright Moment
YOU ARE TRAPPED IN THAT BRIGHT MOMENTWHERE YOU LEARNED YOUR DOOM— Samuel R. Delaney in City of a Thousand Suns In Delaney’s novella trilogy Fall of the Towers the characters must confront the mass, simultaneous discovery by an entire society that a key assumption about their lives–that there was an enemy beyond the barrier; that… Continue reading
About Me
Mark Folse is a provincial diarist and aspiring minor poet from New Orleans. His past blogging adventures included the Katina/Federal Flood blog wetbankguide on blogspot.com which David Simon told NY Magazine was one of three blogs that helped inform Treme, and Toulouse Street–Odd Bits of Life in New Orleans, which once outranked the Doobie Brothers on Google Search. His work has appeared in The Dead Mule School of Southern Literature, The New Delta Review, Metazen, New Laurel Review, Ellipsis, What We Know: New Orleans as Home, Please Forward, The Maple Leaf Rag IV, and A Howling in the Wires (which he co-edited).
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Well Bottom Blues 