intifada
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Understanding P@l€st1ne
As Trump and Netenyahu plot the harvest of their fruits from the Palestinian genocide, I want you to help you understand the Palestinian point of view. Forget what any God said; the gods of indigenous Americans promised them the North American continent. This was a purely geo-political transaction to plant the West’s flag in the… Continue reading
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Morning is Broken
is the No. 1 hymn in this hellwhere the news scrolls bylike sandpaper on the soul.Wars and rumors of warearthquakes, snakes andprivate aeroplanes.You should be afraidof the one-sided (so far)civil war against dissent.The only way out is througha cordon of soulless thugsbent on ending the non-compliant, to paint a newAmerican Dream in bloodfor the White… Continue reading
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Falling Behind the New Iron Curtain
Trump is lowering the new Iron Curtain around the us as a dictatorial, pariah state. The civilized nations of the world need to first contain it; second to try to topple it. We need to do our part toward regime change if we chose not to leave for what remains of the free world, and… Continue reading
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2025
On The Centennial of Benito Mussolini’s Assumption of Dictatorial Powers in 1925 let us string piano wire like holiday tinsel and hang memorial ornaments to resistance, dangle the masked fatigue green monsters by their ankles while singing the carol of the partisan, crack poppers heard round the world and wear paper tricorn hats of Lexington… Continue reading
About Me
Mark Folse is a provincial diarist and aspiring minor poet from New Orleans. His past blogging adventures included the Katina/Federal Flood blog wetbankguide on blogspot.com which David Simon told NY Magazine was one of three blogs that helped inform Treme, and Toulouse Street–Odd Bits of Life in New Orleans, which once outranked the Doobie Brothers on Google Search. His work has appeared in The Dead Mule School of Southern Literature, The New Delta Review, Metazen, New Laurel Review, Ellipsis, What We Know: New Orleans as Home, Please Forward, The Maple Leaf Rag IV, and A Howling in the Wires (which he co-edited).
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Well Bottom Blues 