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Promiscuously Autobiographical
“I’m promiscuously autobiographical, but it’s never gotten me into trouble.” Samuel R. Delaney, interviewed by The New Yorker Continue reading
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Poète Maudite Part Deux
Being a conduit for lightning is difficult for those around me when it spills over into incesssnt chatter or abrupt irritability so I try to keep it locked in this office like Frankenstein’s monster, venting mostly on the page. Continue reading
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The Only Worthy Lotus
Walking is meditation if it is morning chorus and kaleidoscopic green. Not stillness. Not silence. Not transcendence. Follow instead the breath of everything. I don’t want to escape this world but instead to live deeply within it. I don’t want to approach the lotus unless I can wade in to admire it. Walk widdershins around… Continue reading
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Dead Zone
My butterfly plants draw only waspsThe mosquito truck passes (again)incidentally erasing the dragonfliesLawns around are perfectharlequin green rectanglesChildren search in vain for a dandelion to make a wishfor butterflies & dragonflies Continue reading
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Poète Maudit
I wish to claim the designation poète maudit not as Verlaine first meant, the edgy Madness of Baudelaire and Rimbaud. I know what poète maudit looks like. Thaddeus Comti was my friend. I claim it as one possessed by poetry, mounted as by a loa. Is this symptomatic or bipolar disorder as some believe, or… Continue reading
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The Green Fellow
Walking is meditation if it enters into sudden birdsong and kaleidoscopic green. Not stillness. Not transcendence. I don’t want to escape this world. I don’t want the lotus unless I can wade in to admire it. I want to enter into this world as a duck enters water, as a towering tree enters the earth,… Continue reading
About Me
Mark Folse is a provincial diarist and aspiring minor poet from New Orleans. His past blogging adventures included the Katina/Federal Flood blog wetbankguide on blogspot.com which David Simon told NY Magazine was one of three blogs that helped inform Treme, and Toulouse Street–Odd Bits of Life in New Orleans, which once outranked the Doobie Brothers on Google Search. His work has appeared in The Dead Mule School of Southern Literature, The New Delta Review, Metazen, New Laurel Review, Ellipsis, What We Know: New Orleans as Home, Please Forward, The Maple Leaf Rag IV, and A Howling in the Wires (which he co-edited).
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Well Bottom Blues 