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Promiscuously Autobiographical
“I’m promiscuously autobiographical, but it’s never gotten me into trouble.” Samuel R. Delaney, interviewed by The New Yorker Continue reading
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Sonnets to Orpheus
For a gnostic aquaintence: Where do we now locate that greater Spirit in this world of brick on brick, rising toward its fall? For me it moves in the woods, manifest, wearing many names. First Part – XXIVSHALL we reject our primeval friendship, the age-old,The great never entreating gods, because the hard-steeled Does not know… Continue reading
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Killing Me Softly with K-9s
I go to the forest to manage the stress of living in this dysfunctional city and this cracker-ass backwards state and this disintegrating country. I go to hear song birds and the cries of the water birds, to the chorus frogs celebrating the puddly places after it rains, for the quiet when it comes. I… Continue reading
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Welcome, you spirits
Latin: “Sunt mihi Dei Acherontis propitii! Valeat numen triplex Jehovae! Ignis, aeris, aquae, terrae spiritus, Salvete!” Translation: “May the gods of Acheron be favorable to me! Farewell to the threefold spirit of Jehovah — the Trinity! Welcome, you spirits of fire, air, water, and earth!” —Czeslaw Miłosz’ adaptation of the invocation from Goethe’s Faust. I… Continue reading
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My New Informalism
The first poet to seriously capture my attention was Wallace Stevens (thank you Raeburn Miller) who could roll those vowels around like the gods’ own thunder and Krupa those pine wood bantam tom toms from here to Azcan. Continue reading
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An Ode-ious History of New Orleans
I can’t think of anywhere I could try to publish this so I’m putting it up here. After the “Beautiful Times” and “The Capital”sections of Czeslas Milosz’s “A Treatise on Poetry”“I remember everything.”—”Natura”, MiloszThe calas woman calling over the muddy road,mounted by her tignon like the loa of womanhood. German bakers shape the baguettes, smell… Continue reading
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The Mind Concetrates
The mind wanders. The material concentrates. —Rae Armantraut , “Thrown” Concentrates only when the mind ceases to wander and the eye of the poet pauses at an object of curiosity or wonder, when the material is, like the repertoire of the comedian, the material. Through focus we conjure. My unquiet mind is as restless as… Continue reading
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My Five 5 O’clock Shadow
Why I go back to the park sometimes at 5:00 or 5:30. We’re good acquaintances. He sometimes visits the bench where I read earlier in the day, or salutes me with his head when I pass. He’s not giving up a good, shady spot if it’s just me. He only startles and bolts if I… Continue reading
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Ekphrasis: The Great Wave off the Coast of Kanagawa
Hokusai’s The Great Wave off the Coast of Kanagawa Through the lens of imminent disaster Fuji—the anchoring backdrop of ten thousand pastoral moments–—is a disinterested bystander. The mountainous water towers over the iconic peak and the doomed boats. The sailor’s backs are turned to the crest of threatening fingers, their hands clasped in muscular prayer… Continue reading
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Thauma
Thauma (Greek: θαῦμα) is a noun meaning wonder, marvel, or astonishment. Etymologically, it derives from a root meaning “a thing to look at” and is related to the verb theaomai (to gaze at or view). In Biblical Greek, the term appears twice in the New Testament, referring to a concrete marvel that evokes emotional astonishment:… Continue reading
About Me
Mark Folse is a provincial diarist and aspiring minor poet from New Orleans. His past blogging adventures included the Katina/Federal Flood blog wetbankguide on blogspot.com which David Simon told NY Magazine was one of three blogs that helped inform Treme, and Toulouse Street–Odd Bits of Life in New Orleans, which once outranked the Doobie Brothers on Google Search. His work has appeared in The Dead Mule School of Southern Literature, Trampoline, Unlikely Stories, Peauxdunque Review, LMNL Anthology, The New Delta Review, Metazen, New Laurel Review, Ellipsis, What We Know: New Orleans as Home, Please Forward, The Maple Leaf Rag IV, and A Howling in the Wires (which he co-edited).
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