creativity
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Poète Maudit, Again
I have known all the factes of what the ancient Greeks meant by mania: inspired frenz,y mad passion, a word related to seer. Poetry is, for me, not just an avocation or a talent or a study; it is posesion by a force older than humanity or how else to explain the creation of the… Continue reading
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Poète Maudite Part Deux
Being a conduit for lightning is difficult for those around me when it spills over into incesssnt chatter or abrupt irritability so I try to keep it locked in this office like Frankenstein’s monster, venting mostly on the page. Continue reading
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I Sing The Body Plasmatic
I’m not struck by lightning when I write. Rather I am a neural magnetic container of a creative plasma which occasionally escapes into recombination, condensing into words. This is the creative disease which fluctuates between melancholic contemplation and maniacal creative discharge. Like an instrument it must be tuned to a certain contained waveform so that… Continue reading
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There’s more, Leonard
“Poetry is just the evidence of life.If your life is burning well, poetry is just the ash.”– Leonard Cohen I saw this Instagram post quote and thought: ash like the black strain on paper. but also the warmth of shared connection, the flicker of imagination’s possibilities, and the smoke rising up to the heavens. Continue reading
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Spin the (pharmacy) bottle
The medication for REM sleep disorder, what leads me to occasionally smack Patrice with my left arm as I reach out to catch a baseball or assume yoga positions while asleep, foregrounds my amazing Technicolor dreamscape which I jokingly refer to as the Chase Light Calliope Fun House of Madness. It is overriding another medication… Continue reading
About Me
Mark Folse is a provincial diarist and aspiring minor poet from New Orleans. His past blogging adventures included the Katina/Federal Flood blog wetbankguide on blogspot.com which David Simon told NY Magazine was one of three blogs that helped inform Treme, and Toulouse Street–Odd Bits of Life in New Orleans, which once outranked the Doobie Brothers on Google Search. His work has appeared in The Dead Mule School of Southern Literature, The New Delta Review, Metazen, New Laurel Review, Ellipsis, What We Know: New Orleans as Home, Please Forward, The Maple Leaf Rag IV, and A Howling in the Wires (which he co-edited).
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Well Bottom Blues 