accentual verse
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Tragically Unhip
Thinking of updating my bio. Mark Folse is a UHF poetry ghost drifting in from the 20th century, transparent as the thin banker paper of old Norton Anthologies and just as relevant to today’s million-transistors-to-the inch Poetry Industrial Complex. He echoes 60+ years of reading like a theremin humming Tennyson. He idolizes Wallace Stevens and… Continue reading
20th Century, accentual verse, aging, alliteration, Arthur Sze, Best New Poets, Charles Bukowski, craft, cryptical envelopment, Eulipion, Ezra Pound, FYYFF, Jericho Brown, John Berryman, lyric poetry, MFA, modern world, Norton Anthology, old age, poète maudit, poetics, poetry, Poetry Industrial Complex, Richard Brautigan, sonnet, Tennyson, The Canon, The Classics, UHF, W.S. Merwin, Wallace Stevens -
I Sing The Body Plasmatic
I’m not struck by lightning when I write. Rather I am a neural magnetic container of a creative plasma which occasionally escapes into recombination, condensing into words. This is the creative disease which fluctuates between melancholic contemplation and maniacal creative discharge. Like an instrument it must be tuned to a certain contained waveform so that… Continue reading
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The Rhythm of Human History
My comment on this Substack post: https://open.substack.com/pub/poeticknowledge/p/an-introduction-to-the-rhythm-of?utm_source=share&utm_medium=android&r=3ibxf As a poet of 68 years I find that I and many of my contemporaries use accentual lines of a certain number of beats without regard to syllable count. We were all schooled in both canonical English verse and the free verse that emerged in the 20th century.… Continue reading
About Me
Mark Folse is a provincial diarist and aspiring minor poet from New Orleans. His past blogging adventures included the Katina/Federal Flood blog wetbankguide on blogspot.com which David Simon told NY Magazine was one of three blogs that helped inform Treme, and Toulouse Street–Odd Bits of Life in New Orleans, which once outranked the Doobie Brothers on Google Search. His work has appeared in The Dead Mule School of Southern Literature, Trampoline, Unlikely Stories, Peauxdunque Review, LMNL Anthology, The New Delta Review, Metazen, New Laurel Review, Ellipsis, What We Know: New Orleans as Home, Please Forward, The Maple Leaf Rag IV, and A Howling in the Wires (which he co-edited).
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Well Bottom Blues 