Eulipion
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Tragically Unhip
Thinking of updating my bio. Mark Folse is a UHF poetry ghost drifting in from the 20th century, transparent as the thin banker paper of old Norton Anthologies and just as relevant to today’s million-transistors-to-the inch Poetry Industrial Complex. He echoes 60+ years of reading like a theremin humming Tennyson. He idolizes Wallace Stevens and… Continue reading
20th Century, accentual verse, aging, alliteration, Arthur Sze, Best New Poets, Charles Bukowski, craft, cryptical envelopment, Eulipion, Ezra Pound, FYYFF, Jericho Brown, John Berryman, lyric poetry, MFA, modern world, Norton Anthology, old age, poète maudit, poetics, poetry, Poetry Industrial Complex, Richard Brautigan, sonnet, Tennyson, The Canon, The Classics, UHF, W.S. Merwin, Wallace Stevens -
Safe As Milk
Gay zoned, a particular space in the friend zone in which she says, I loved my gay friends. It was so safe there. You could be yourself. You could be sexy without worrying about someone trying to get into your pants. She said this after I confessed again it wasn’t her cheek or forehead I… Continue reading
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The Genie-Soul of the Place
The godsons of cotton who run the place regardless of elections try to erase what is incomfortably alien, the lazy anti-Anglo, our insistence that we work to live and do not live to work, ask each other not “what do you do” but “where did you go to (high) school.” They would likd to contain… Continue reading
About Me
Mark Folse is a provincial diarist and aspiring minor poet from New Orleans. His past blogging adventures included the Katina/Federal Flood blog wetbankguide on blogspot.com which David Simon told NY Magazine was one of three blogs that helped inform Treme, and Toulouse Street–Odd Bits of Life in New Orleans, which once outranked the Doobie Brothers on Google Search. His work has appeared in The Dead Mule School of Southern Literature, Trampoline, Unlikely Stories, Peauxdunque Review, LMNL Anthology, The New Delta Review, Metazen, New Laurel Review, Ellipsis, What We Know: New Orleans as Home, Please Forward, The Maple Leaf Rag IV, and A Howling in the Wires (which he co-edited).
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Well Bottom Blues 