The Typist
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Poète Maudite Part Deux
Being a conduit for lightning is difficult for those around me when it spills over into incesssnt chatter or abrupt irritability so I try to keep it locked in this office like Frankenstein’s monster, venting mostly on the page. Continue reading
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The Green Fellow
Walking is meditation if it enters into sudden birdsong and kaleidoscopic green. Not stillness. Not transcendence. I don’t want to escape this world. I don’t want the lotus unless I can wade in to admire it. I want to enter into this world as a duck enters water, as a towering tree enters the earth,… Continue reading
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Eating Cookies in America
Eating cookies while readingTrout Fishing in America They are molasses forwardwith a crisp ginger finish like driving from cane countryback home to New Orleans Continue reading
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The Spirit of the Mask
Something I wrote 17 years ago for sadly departed friend Victoria Slind-Flor, formerly of New Orleans, for the guests of a Carnival Ball in miniature she was hosting in Oakland, CA, To the Honored Members and Guests of the Krewe of Baubo and Ame no Uzume: When one is called to Carnival, the first question… Continue reading
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This is me, is us
The Challenger shuttle, the first Gulf War, 9/11, the second Gulf War, COVID, Trump. These were universal or near universal cataclysms that shaped generations. This quote is me, is us, in the middle 1960s, facing the lurking horrors we were schooled to, watching fire fights on the news in black and white while somewhere in… Continue reading
About Me
Mark Folse is a provincial diarist and aspiring minor poet from New Orleans. His past blogging adventures included the Katina/Federal Flood blog wetbankguide on blogspot.com which David Simon told NY Magazine was one of three blogs that helped inform Treme, and Toulouse Street–Odd Bits of Life in New Orleans, which once outranked the Doobie Brothers on Google Search. His work has appeared in The Dead Mule School of Southern Literature, The New Delta Review, Metazen, New Laurel Review, Ellipsis, What We Know: New Orleans as Home, Please Forward, The Maple Leaf Rag IV, and A Howling in the Wires (which he co-edited).
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Well Bottom Blues 