transcendence
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There is a light somewhere
“There is a light somewhere.”Charles Bukowski, “The Laughing Heart* How to write or paint the dark from the bottom of the tar pit of anthropocene extinction without resorting to the calling bottle of Poe-etics? When you remember spirits as disparate as Bukowski and Lenoard Cohen can see that glint of light like a star seen… Continue reading
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Green Pentecost
I was raised from childhood to place my hand in the Holy Roman wound and found it cold and hollow. Now I am waiting for that Pentecostal moment not in a close room but in the wood, for green fire like leaves to descend, teaching us the words of the birds and the subterranean language… Continue reading
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The Only Worthy Lotus
Walking is meditation if it is morning chorus and kaleidoscopic green. Not stillness. Not silence. Not transcendence. Follow instead the breath of everything. I don’t want to escape this world but instead to live deeply within it. I don’t want to approach the lotus unless I can wade in to admire it. Walk widdershins around… Continue reading
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The Green Fellow
Walking is meditation if it enters into sudden birdsong and kaleidoscopic green. Not stillness. Not transcendence. I don’t want to escape this world. I don’t want the lotus unless I can wade in to admire it. I want to enter into this world as a duck enters water, as a towering tree enters the earth,… Continue reading
About Me
Mark Folse is a provincial diarist and aspiring minor poet from New Orleans. His past blogging adventures included the Katina/Federal Flood blog wetbankguide on blogspot.com which David Simon told NY Magazine was one of three blogs that helped inform Treme, and Toulouse Street–Odd Bits of Life in New Orleans, which once outranked the Doobie Brothers on Google Search. His work has appeared in The Dead Mule School of Southern Literature, Trampoline, Unlikely Stories, Peauxdunque Review, LMNL Anthology, The New Delta Review, Metazen, New Laurel Review, Ellipsis, What We Know: New Orleans as Home, Please Forward, The Maple Leaf Rag IV, and A Howling in the Wires (which he co-edited).
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Well Bottom Blues 