trees
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The Only Worthy Lotus
Walking is meditation if it is morning chorus and kaleidoscopic green. Not stillness. Not silence. Not transcendence. Follow instead the breath of everything. I don’t want to escape this world but instead to live deeply within it. I don’t want to approach the lotus unless I can wade in to admire it. Walk widdershins around… Continue reading
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The Green Fellow
Walking is meditation if it enters into sudden birdsong and kaleidoscopic green. Not stillness. Not transcendence. I don’t want to escape this world. I don’t want the lotus unless I can wade in to admire it. I want to enter into this world as a duck enters water, as a towering tree enters the earth,… Continue reading
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Shinrin-Yoku (Forest Bathing)
Ten years ago, just as medication was beginning to rein in my outrageous and dangerous bipolar mania, I quit a job that almost broke me and fled into the park. Continue reading
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Not Drunk Unless
Not drunk unless on leafbreath and godswink, my path doesn’t stagger; it wanders with care, following some loose rules about how I pass by, under the boughs of and around certain trees, usually widdershins, compassing the roots and boles and others bowing for a benediction where the arch of branches buttress the sky. The Crow… Continue reading
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Not Quite Wilderness
This is not wilderness, this curated forest arboretum: planted by the WPA then left undeveloped until Couturie Forest Arboretum was created. The boles are not blazed for lost wanderers, thankfully neglected by knife-wielding lovers in heated search of soft-yielding bowers. There are occasional labels on posts naming the trees as if a native son practiced… Continue reading
About Me
Mark Folse is a provincial diarist and aspiring minor poet from New Orleans. His past blogging adventures included the Katina/Federal Flood blog wetbankguide on blogspot.com which David Simon told NY Magazine was one of three blogs that helped inform Treme, and Toulouse Street–Odd Bits of Life in New Orleans, which once outranked the Doobie Brothers on Google Search. His work has appeared in The Dead Mule School of Southern Literature, The New Delta Review, Metazen, New Laurel Review, Ellipsis, What We Know: New Orleans as Home, Please Forward, The Maple Leaf Rag IV, and A Howling in the Wires (which he co-edited).
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Well Bottom Blues 