Doom
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Ekphrasis: The Great Wave off the Coast of Kanagawa
Hokusai’s The Great Wave off the Coast of Kanagawa Through the lens of imminent disaster Fuji—the anchoring backdrop of ten thousand pastoral moments–—is a disinterested bystander. The mountainous water towers over the iconic peak and the doomed boats. The sailor’s backs are turned to the crest of threatening fingers, their hands clasped in muscular prayer… Continue reading
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I have got to go fast
Three times must the wheel of blindness turn, before I look without fear at the powersleeping in my own hand…— Czeslaw Milosz, “Slow River”I am not only writing and revising furiously as I look at the hour glass and see the bottom half mostly filled, I just finished all of Glück, a hefty and intoxicating… Continue reading
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The New Inhumanism
They are building the future, as their fathers did, mechanistically; not of iron with its Vulcan furnaces and miraculous Iroquois beam walkers, but out of sand. They are emptying the beaches to build the last, nth slice of silicone which will awaken and become their pet god. The ocean can’t keep up. Continue reading
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THAT BRIGHT MOMENT
YOU ARE TRAPPED IN THAT BRIGHT MOMENTWHERE YOU LEARNED YOUR DOOM— Samuel R. Delaney in City of a Thousand Suns Whether it is Doom in the archaic sense from the Anglo-Saxon and Norse of the totality of your deeds and reputation and the consquences thereof, the story of the Hero; or, the Doom imposed from… Continue reading
About Me
Mark Folse is a provincial diarist and aspiring minor poet from New Orleans. His past blogging adventures included the Katina/Federal Flood blog wetbankguide on blogspot.com which David Simon told NY Magazine was one of three blogs that helped inform Treme, and Toulouse Street–Odd Bits of Life in New Orleans, which once outranked the Doobie Brothers on Google Search. His work has appeared in The Dead Mule School of Southern Literature, Trampoline, Unlikely Stories, Peauxdunque Review, LMNL Anthology, The New Delta Review, Metazen, New Laurel Review, Ellipsis, What We Know: New Orleans as Home, Please Forward, The Maple Leaf Rag IV, and A Howling in the Wires (which he co-edited).
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