madness
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THIS SPECIES OF MADNESS
THIS SPECIESOF MADNESS This species of madnessWhich isn’t just talentGleams in the dark reachesOf my thinking self Without bringing me happiness.There is always, in the city,Clear or cloudy skies, but in meI don’t know what there is. —Fernandi Pessoa 6 OCTOBER 1926 Continue reading
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Divine Aphasia
title from a line in Lucky’s speech in Waiting for Godot—Samuel Beckett They took my hat. Yes I was rampaging mad drunken unsteady ever ready like an electric cat on a hot tin roof and glorious glorious the invasive Blakean angels and writing my God writing writing all the time writing. Some said it was Continue reading
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William Burroughs would like a word (or two)
I remember 22 and I don’t mind dying. I always had one last 1957 silver certificate folded in my wallet, coins for the phone, and the way to the next whiskey bar. Repeat after me: 504-522-9771. Manias magnificent opening night after night. The curtain of purple cannot mute the applause in my head. Repeat after Continue reading
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The Fun House of Madness.
In a comment on a post of on Facebook I came up with the perfect description of my nightly dreamscape: A film by Federico Fellini, produced by Luis Briñel, from a script by David Lynch, Neil Gaiman and Terry Pratchett. Or as I like to to call it The Chase Light Colliope Fun House of Continue reading
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The Stars! The Stars!
It is possible that these great geniuses are only madmen, and that one must be mad oneself to have boundless faith in them and a boundless admiration for them. If this is true, I should prefer my insanity to the sanity of the others. Vimcent Van Gogh Continue reading
About Me
Mark Folse is a provincial diarist and aspiring minor poet from New Orleans. His past blogging adventures included the Katina/Federal Flood blog wetbankguide on blogspot.com which David Simon told NY Magazine was one of three blogs that helped inform Treme, and Toulouse Street–Odd Bits of Life in New Orleans, which once outranked the Doobie Brothers on Google Search. His work has appeared in The Dead Mule School of Southern Literature, The New Delta Review, Metazen, New Laurel Review, Ellipsis, What We Know: New Orleans as Home, Please Forward, The Maple Leaf Rag IV, and A Howling in the Wires (which he co-edited).
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Well Bottom Blues 