poetics
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Vulture Heavy
I am vulture-heavy. My stories are caskets filled with black feathers, But the dead, in their vast merriment, egg me on. Write the motherfucking poem. See why I love them? — “I am vulture heavy”, Diane Seuss I am capable of light verse but it’s not my natural tendency. I’ve been diagnosed variously with adhd,… Continue reading
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Theory and Play of the Duende
“Tender cries to God….Not form, but the marrow of form…All the arts are capable of duende but where it naturally creates most space is in music, dance and spoken poetry, the living flesh is needed to interpret them…the duende wounds..the magic power of a poem consists of it being filled with Duende.” — Frederico Gardía… Continue reading
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All Those Antecedent Predecessions
It is the imposing of all those antecedent predecessions, the precessions of me, the generation of those facts which are my words. It is coming from all that I no longer am yet am, the slow western motion of more than I am.— Charles Olson, Maximus to Gloucester, “Letter 27” Continue reading
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We’re really beyond that
One woman wrote, “I am afraid that what I want to say will not be important enough.”on reading this statement, another student remarked: “You should drop that part. we’re really beyond that.” “Notes re: Echo,” Sept. 8, strophe 3Kathleen Fraser The books I brought to the beach: Epic Postmodernism an Anthology of Contemporary Innovative Poetries.… Continue reading
About Me
Mark Folse is a provincial diarist and aspiring minor poet from New Orleans. His past blogging adventures included the Katina/Federal Flood blog wetbankguide on blogspot.com which David Simon told NY Magazine was one of three blogs that helped inform Treme, and Toulouse Street–Odd Bits of Life in New Orleans, which once outranked the Doobie Brothers on Google Search. His work has appeared in The Dead Mule School of Southern Literature, Trampoline, Unlikely Stories, Peauxdunque Review, LMNL Anthology, The New Delta Review, Metazen, New Laurel Review, Ellipsis, What We Know: New Orleans as Home, Please Forward, The Maple Leaf Rag IV, and A Howling in the Wires (which he co-edited).
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Well Bottom Blues 