Well Bottom Blues

Oh my God it's full of stars!


The Poet and The Machine

Will it swallow us whole as it has devoured all knowledge ever printed or filmed, every song ever recorded, as it digests your question and feeds it to build the threshing linkages driving it ever onward without a throttle?

Let poets step forward and cast the first stone into the works.

Sonnets to Orpheus: The Second Part

X

ALL we have achieved, the machine threatens to rule,
So long as it sways the spirit instead of obeying alone,
Unless the illustrious hand lingers longer upon the tool,
For the more resolute work starkly cuts the stone.

It nowhere remains behind so we might escape its zest
And oiling in silent factories it would be self-employed.
It is life,—thinks it knows best,
Having with equal resolve equipped, produced, destroyed.

But existence is still enchanted. Is at a hundred or more
Points in its origins still: a playing of pure forces
That no one touches who does not marvel and kneel before.

Words still fail before the unsayable sources . . .
And music, ever new, puts pulsating stones in place.
To build her god-like house in unusable space.

— Rilke


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About Me

Mark Folse is a provincial diarist and aspiring minor poet from New Orleans. His past blogging adventures included the Katina/Federal Flood blog wetbankguide on blogspot.com which David Simon told NY Magazine was one of three blogs that helped inform Treme, and Toulouse Street–Odd Bits of Life in New Orleans, which once outranked the Doobie Brothers on Google Search. His work has appeared in The Dead Mule School of Southern Literature, Trampoline, Unlikely Stories, Peauxdunque Review, LMNL Anthology, The New Delta Review, Metazen, New Laurel Review, Ellipsis,  What We Know: New Orleans as Home, Please Forward, The Maple Leaf Rag IV, and A Howling in the Wires (which he co-edited).

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