Well Bottom Blues

Oh my God it's full of stars!


Creolized


I grew up on Robert E. Lee
Boulevard, learned all the racial epithets
from my grandfather, recall the genteel
way my grandmother said “nigra.”

I watched the panicked retreat down
St. Bernard Avenue along the bayou
from the relentless advance of Black
dentists and their encroaching Volvos.

I fled from that torch-lit crowd,
moved toward the Quarter where
my great aunties lived when I was a kid,
Sunday cocktail-and-cigarette “maidens”

living stories of Royal Street bohemia,
where I was allowed to stoop sit, learned
to live the original New Orleans way;
landed in the 7th Ward across Esplanade

from The Treme; bought cold beers
three for a dollar from the N. Villere
corner drugstore, sat smoking on my steps,
hanging with any thirsty passing neighbor.

I was already saved from original sins
by music, Nevilles everywhere and
the old R&B from Cosimo and
Toussaint on restaurant booth jukeboxes.

I was ready to enter the sacred heart
of New Orleans, the one the tourists
hear but only through a tour guide's
fabricated filter, just a murmuring echo

beneath the daiquiri bar cover bands’
music, the secret rooms behind Elvis.
I divided dinners between Mandina’s
and Eddie Baquet’s on Law Street,

ate pork chop sandwiches out of
shopping carts, horns up the street,
sat patiently through second line snarls
and school bands’ practice marches.

I still shuffle like a wind-up cymbal
monkey due to my genetic handicap
but discovered the acceptance of
people who greet you on the street

goes everywhere you care or dare
to go. When someone asks to buy
a cigarette, give them two and they
will have your back down the block.

Every corner store is my own if
I'm thirsty. It takes me 20 minutes
to buy cigarettes if the clerk’s chatty
and I greet everyone hanging outside.

It helps to always wear a hat (not
a cap unless its Saints or Pelicans)
and walk like you’ve got ear buds in
when you don’t, moving on the 2 & 4.

I call it Creolized, what's stirred up
in North America's only melting pot,
where the Anglo disappears like
onions reduced to crystal perfection

if you'll just stop to listen, not just to
the music but to the person listening
beside you when the band breaks, find
out that you share some special place

older than the flood, and how much
you both miss it, where you each
went to school, which bus you ride,
where you go to catch parades

where you heard Dinerral died
who and what you lost in the flood
because in those years right after
we mostly all washed up together.


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About Me

Mark Folse is a provincial diarist and aspiring minor poet from New Orleans. His past blogging adventures included the Katina/Federal Flood blog wetbankguide on blogspot.com which David Simon told NY Magazine was one of three blogs that helped inform Treme, and Toulouse Street–Odd Bits of Life in New Orleans, which once outranked the Doobie Brothers on Google Search. His work has appeared in The Dead Mule School of Southern Literature, Trampoline, Unlikely Stories, Peauxdunque Review, LMNL Anthology, The New Delta Review, Metazen, New Laurel Review, Ellipsis,  What We Know: New Orleans as Home, Please Forward, The Maple Leaf Rag IV, and A Howling in the Wires (which he co-edited).

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