birding
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My Five 5 O’clock Shadow
Why I go back to the park sometimes at 5:00 or 5:30. We’re good acquaintances. He sometimes visits the bench where I read earlier in the day, or salutes me with his head when I pass. He’s not giving up a good, shady spot if it’s just me. He only startles and bolts if I… Continue reading
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Automatic Walking
I have an incorporeal compass insidewhich, when the trail splitsor crosses, knows which way to goas if the life inside chooses fromamong the countless greenshow to visit the feathered cousins & I visited green heron andsaw the egret atop the piling anhinga just a flash of wingshis sharp call across the lagoon & Soon City… Continue reading
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Another Anecdote of a Jar
You were never meant to hold that much without breaking, the ad for some tincture promising happiness said. Don’t buy it.There are flowers and leaves and mushroomsenough in the forest. The only bottle you needis one for cool water so you can remain quietly with the unmolested medicine still rooted in the earth, both you… Continue reading
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The Conga Beat of Wings
I was getting the side eye from birders in the Couterie Forest Arboretum yesterday for my drumming playinv on a small speaker on the strap of my water bottle. Little do they know I startled a hawk the other day turning a bend, long after they would have heard the drumming. Everything in that wood… Continue reading
About Me
Mark Folse is a provincial diarist and aspiring minor poet from New Orleans. His past blogging adventures included the Katina/Federal Flood blog wetbankguide on blogspot.com which David Simon told NY Magazine was one of three blogs that helped inform Treme, and Toulouse Street–Odd Bits of Life in New Orleans, which once outranked the Doobie Brothers on Google Search. His work has appeared in The Dead Mule School of Southern Literature, Trampoline, Unlikely Stories, Peauxdunque Review, LMNL Anthology, The New Delta Review, Metazen, New Laurel Review, Ellipsis, What We Know: New Orleans as Home, Please Forward, The Maple Leaf Rag IV, and A Howling in the Wires (which he co-edited).
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Well Bottom Blues 