New Orleans
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Not Hurricane Katrina; The Federal Flood
I don’t think I going to watch the documentary on Hulu. I don’t need a documentary to tell me what happened, or how it happened. I watched closely from a distance until I returned home Memorial Day 2006 reoorting and editorialising the tens of thousands of words on my blogs for the next several years.… Continue reading
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Look Away, Look Away
New Orleans would come back in “a completely different way: demographically, geographically, and politically” or he and other white civic leaders would not return. –Jimmy Reiss, Wall Street Journal, Sept. 2005The Bricks laid carefully byCreole craftsmen demolished,replaced with mock historicalstick & Tyvek by Latino refugees. Less than halfas many homes built to makethe Federal Flood… Continue reading
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Sad Baritone Saturday
A sad baritone blowing big round. Jello-tremulous Os of the blues. That’s what started this ramble into a pleasant melancholia, a fizzy afternoon beer buzz of sadness not quite cheerless, simply there like a color in the air, a sky so blue and clear you can hear it, a faint hum beneath your feet, a… Continue reading
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Not Enough Death
The crows are crying for peanuts.I guess there’s not enough death in the world today. There is no newsfeed in Crowin the wires where they waitI guess. I’ve got doom enough to shareand so I keep my carrioncousins close. I feed them peanuts untilI can get my hands on more worthy fodder. I have a… Continue reading
About Me
Mark Folse is a provincial diarist and aspiring minor poet from New Orleans. His past blogging adventures included the Katina/Federal Flood blog wetbankguide on blogspot.com which David Simon told NY Magazine was one of three blogs that helped inform Treme, and Toulouse Street–Odd Bits of Life in New Orleans, which once outranked the Doobie Brothers on Google Search. His work has appeared in The Dead Mule School of Southern Literature, The New Delta Review, Metazen, New Laurel Review, Ellipsis, What We Know: New Orleans as Home, Please Forward, The Maple Leaf Rag IV, and A Howling in the Wires (which he co-edited).
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Well Bottom Blues 