poetry
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The Green Fellow
Walking is meditation if it enters into sudden birdsong and kaleidoscopic green. Not stillness. Not transcendence. I don’t want to escape this world. I don’t want the lotus unless I can wade in to admire it. I want to enter into this world as a duck enters water, as a towering tree enters the earth,… Continue reading
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Remember Me
I want to make a good impressionon the earth this forest to remember me like birdsong in the rain when all the rest of me is burnt bonemy life laid out at last (no cut flowersplease) at the Goodwill Store. Continue reading
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consider yourself a ghost
You got to be a spirit. Don’t be no ghost — Rastaman the Griot consider yourself a ghost alone in the woods without other people television phone internetwhile life of all kinds continuesaround you in green and brownblossom color and bird song assomething from a dream this dream see your self as spirit in a… Continue reading
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I’m Being Haunted by a Moon Shadow
A poem from last fall I started to but never shared here Continue reading
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Bob Kaufman
One exception to my suspicion of full on surrealism is Bob Kaufman. Postwar atomic automaton America could not be viewed straight on like the industrial films of 1960s early morning television. It required hallucinatory ViewMaster snapshots to portray its twisted Twilight Zone reality. Imagine this was the only possible approach. Unlike Ginsburg’s angelic screeds like… Continue reading
About Me
Mark Folse is a provincial diarist and aspiring minor poet from New Orleans. His past blogging adventures included the Katina/Federal Flood blog wetbankguide on blogspot.com which David Simon told NY Magazine was one of three blogs that helped inform Treme, and Toulouse Street–Odd Bits of Life in New Orleans, which once outranked the Doobie Brothers on Google Search. His work has appeared in The Dead Mule School of Southern Literature, The New Delta Review, Metazen, New Laurel Review, Ellipsis, What We Know: New Orleans as Home, Please Forward, The Maple Leaf Rag IV, and A Howling in the Wires (which he co-edited).
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Well Bottom Blues 