poetry music
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Look Away, Look Away
New Orleans would come back in “a completely different way: demographically, geographically, and politically” or he and other white civic leaders would not return. –Jimmy Reiss, Wall Street Journal, Sept. 2005The Bricks laid carefully byCreole craftsmen demolished,replaced with mock historicalstick & Tyvek by Latino refugees. Less than halfas many homes built to makethe Federal Flood Continue reading
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Poets Worth Reading
Poets worth reading usually believe things the age they live in no longer does. Poets are always anachronistic, obsolete, unfashionable, and permanently contemporary. — Charles Simic Continue reading
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The Island of Doctor Jeffers
Reading the long, narrative poems in the stout Selected Poems of Robinson Jeffers takes me back to a book I read long ago: H.G. Wells’ The Island of Dr Moreau. So many of his characters are monstrous deformities, half human and half animal. Not that such people don’t exist-the news today is filled with them-but Continue reading
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Next Weekend at Marienbad
Let’s go! Outof here intoa b&winnocencea distantpalatial set piecethe classyevening clothesthe driftof mysterydropping our ragsworried into holes and be strangersmeant for each otheragain. Continue reading
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Ask me, Basho said, If I care
I called Basho. He confirmed. He was the one who said, “The journey itself is home.” I told him the critics in my department Think words like “journey” are empty cliches. “Ask me,” Basho said, “If I care.” —Luis Urrea, “Babylonian Alphabets: A Poet’s Notebook Continue reading
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Happy Transcendent Birthday Allen Ginsburg
Happy Birthday Allen. Sing us next a Song of Innocence from the Transcendent Vortex Sutra. Continue reading
About Me
Mark Folse is a provincial diarist and aspiring minor poet from New Orleans. His past blogging adventures included the Katina/Federal Flood blog wetbankguide on blogspot.com which David Simon told NY Magazine was one of three blogs that helped inform Treme, and Toulouse Street–Odd Bits of Life in New Orleans, which once outranked the Doobie Brothers on Google Search. His work has appeared in The Dead Mule School of Southern Literature, The New Delta Review, Metazen, New Laurel Review, Ellipsis, What We Know: New Orleans as Home, Please Forward, The Maple Leaf Rag IV, and A Howling in the Wires (which he co-edited).
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Well Bottom Blues 