creativity
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The Fun House of Madness.
In a comment on a post of on Facebook I came up with the perfect description of my nightly dreamscape: A film by Federico Fellini, produced by Luis Briñel, from a script by David Lynch, Neil Gaiman and Terry Pratchett. Or as I like to to call it The Chase Light Colliope Fun House of… Continue reading
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Promiscuously Autobiographical
“I’m promiscuously autobiographical, but it’s never gotten me into trouble.” Samuel R. Delaney, interviewed by The New Yorker Continue reading
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The Stars! The Stars!
It is possible that these great geniuses are only madmen, and that one must be mad oneself to have boundless faith in them and a boundless admiration for them. If this is true, I should prefer my insanity to the sanity of the others. Vimcent Van Gogh Continue reading
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Siriusly
Venus is sinking. The moon is fleeing. The air is a breathless bath-water smothering. The rain is elsewhere. The clouds have flown. The dogs are all weary. The crickets are silent. The sun is waiting, just over the horizon, ready for another chorus of those Summertime Blues. Continue reading
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The Slow Noon Burn of June 16
Originally posted on June 20, 2009 on my Toulouse Street–Odd Bits of Life in New Orleans blog Canal Street in the slow noon burn of June. Thin dribbles of tourists pass up and down, hug the narrow ledge of shade along the buildings as if some abyss yawned at the curb. A handful of hotel… Continue reading
About Me
Mark Folse is a provincial diarist and aspiring minor poet from New Orleans. His past blogging adventures included the Katina/Federal Flood blog wetbankguide on blogspot.com which David Simon told NY Magazine was one of three blogs that helped inform Treme, and Toulouse Street–Odd Bits of Life in New Orleans, which once outranked the Doobie Brothers on Google Search. His work has appeared in The Dead Mule School of Southern Literature, The New Delta Review, Metazen, New Laurel Review, Ellipsis, What We Know: New Orleans as Home, Please Forward, The Maple Leaf Rag IV, and A Howling in the Wires (which he co-edited).
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Well Bottom Blues 